Dancing Optional: Being a Stinger Published by: Patricia Webbink, Ph.D. (March 13, 2012) www.patriciawebbink.com
Let’s
take another look at Al and Susan, the married couple from Chapter Two, this
time focusing on Al.
Al’s first thoughts
of the day are about work. While
shaving in the morning, he plans his day and prepares for its challenges. It feels nice to have his family around him in
the house, but he looks forward to the office, where he can
settle in his desk chair, and accomplish the tasks he has set out to do. He prides himself on all that he can provide
for his family now that he has risen in his field
and has a higher salary and status.
Al loves his wife,
but it is difficult for him to express his feelings. When he comes home at
night, he wants to be able to read the paper and go through
his email. Susan’s attempts to engage
him in conversation are futile and annoy him. Al feels crowded, and the feeling increases
as she becomes more strident in her attempts to gain his attention. Sometimes he responds harshly, but Al believes
that this is the only way to stop what he perceives as invasive behavior. He is more comfortable being alone or at work,
where he doesn’t have to deal with emotional demands. Although he used to enjoy sex in
the early years of their relationship, he now tries to avoid it much of the
time.
Al finds it much
easier to express affection towards his children. He is more able to accept their simple needs
and his responsibility to nurture them.
They only demand his outward attention, but Susan seems to want
something more. She seems to want to
know his thoughts on everything, frequently asking that he express affection
towards her. She becomes upset if she
senses he is hiding something. Al feels
like Susan is trying to possess, control and invade him, and that he must
battle to defend his space.
Behind Walls
In order to cope with the anxiety that arises
when they are in intimate situations, stingers often distance themselves from
their inner lives. While clingers find it easy to talk about their feelings,
stingers have trouble expressing them. Clingers
feel too vulnerable, intimidated, and ashamed to be so candid about their
innermost emotions. They
believe that emotions are private and should not be shared.
As
a relationship continues, stingers may need love at their deepest levels, but
they often feel too vulnerable to express it. They are not likely to put loving feelings
into words or behavior. A hallmark of
stingers is the preference for communicating love through helpful actions,
rather than affection. If something is
broken, they will fix it; if there is a physical emergency, they will be there
immediately. But clinger partners, as in
“Fiddler on the Roof”, will still wonder, “But do you love me?” The words, the looks, the touch, those little
something extras embodying tenderness that clingers treasure are just not
there. When one clinger spoke of the day
her stinger companion finally proclaimed his love for her in a skyscraper
hotel, she said, “I thought the roof would cave in, because he had never said
those words before. I was afraid he never would!”
When
it comes to their relationship with pets or children, stingers may allow their
affectionate side to emerge. There is
nothing more frustrating to a clinger than to see his or her stinger partner
fawning over a child or the family pet - speaking in baby talk, hugging,
stroking, grooming! When stingers find
it difficult to express loving feelings to their romantic partners, they can be
affectionate to animals because they pose no emotional threat. Stingers can give unabashedly to a pet with no
fear of being consumed. There is no need
to fear being weak or dependent; a pet owner is in a position of higher
authority in relation to the pet.
Similar displays of affection may also manifest between stingers and
young children.
Stingers feel that being intimate gives
another person control over them. They
usually perceive dependency as a weakness and assume that people will inflict
emotional pain if they spot vulnerability.
The stingers’ primary concern is to maintain a sense of control, and
they check vigilantly for any chinks in their armor.
When
stingers have problems in relationships, they often say that they feel owned,
controlled, caged, smothered, or suffocated.
Some go as far to say that they are feeling devoured or engulfed by their partner. Except for the period of initial infatuation,
when a relationship is new and less threatening, stingers find it difficult to
be close to another. If they perceive that their
protective wall is at risk of being breached, they may lash out and sabotage
the relationship to prevent their deepest fear from being realized.
Being
in a relationship usually requires some moments of compromise. At times, the
needs of the individual are sacrificed for the unity of the relationship to
succeed. For stingers, though, sustaining
a relationship feels like more than the occasional compromise. They feel they will eventually be overwhelmed
by the emotional requirements of another.
The
stinger is like a snapping turtle. With
its shell, it is constantly striving to protect it from engulfment. While the shell serves well as protection, it
prevents the turtle from being able to move freely and reach out with openness.
The shell is also a weapon; its hard surface is able to hurt others. Stingers snap with cold, stinging comments;
these are also effective at keeping people at a distance.
Many
stingers try to obtain validation through their work and other activities,
rather than through interpersonal relationships. They are often workaholics and loners, who
spend long hours in front of computers or engaging in other solitary
projects. A classic stinger is an
achievement-oriented person who is distant and businesslike; he or she uses
work and other activities to avoid intimacy.
The stinger’s underlying fear of closeness, especially when combined
with workaholic tendencies, makes it difficult for her/him to see relationships
as anything more than a social obligation or, at best, a source of
entertainment when solitary occupations become boring. Unable to relish the joys of intimate
companionship, stingers may go through the motions at a social gathering, or be
helpful to their friends. Their inner
world, however, feels stiff, tense, and unable to flow with these simple
pleasures.
Moderate
stingers may have many casual acquaintances, but no intimate friends. Even in
their close friendships, stingers are far less likely to be self-disclosing and
are more emotionally guarded than clingers. The extreme stinger may depend exclusively on
one friend for emotional support. Thus,
he or she is unlikely to have a viable support system in times of crisis. The more centered stingers, however, can be
loyal, patient, and faithful to friends. In the context of a non-romantic -- and thus,
less threatening -- relationship, they can even be outgoing, caring, and
sensitive. Because a friendship does not
require the deeper intimacies of a lover-relationship, it feels safer. It is easier to keep a friend at arm’s
length, and most friends do not demand intimate discourse anyway as they may
feel it is none of their business. This
is perfect for the stinger!
Sam and
John have been friends for many years. Sam,
a stinger, hardly ever calls John. John,
a clinger, has learned to accept that Sam cares deeply about him but is never
going to be the one to call. Years
before, they had lived together very happily. Sam had moved out of town to get married. When John suffered from a critical illness,
out of all of his friends, it was Sam who offered to fly across the country,
take time off from work, and come to care for him. Their friendship has lasted for many years and
has survived many trials in each of their lives.
Sam rarely reaches out and calls
John, but when John really needs him, Sam is there. Situations that require support seem to be the
key, rather than the relationship itself. Sam is able to offer support to John because
of a problem or issue, and John doesn’t demand affection.
It’s important to note, however, that the extreme
stingers’ coolness and unemotional priorities can be the undoing of
friendships. In case after case, I
observe that when close, caring attention is needed by a friend or lover, it is
very difficult, if not impossible, for the extreme stinger to help.
Sue
and Joan had been good friends for a long time. When Sue became pregnant, she asked Joan to be
her birthing coach. Joan, an artist who
happened to be a stinger, accepted. During
labor, however, Joan left in the middle of Sue’s painful contractions to go to
an art show. It took Sue a long time to
tell Joan how hurt and angry she felt.
When she did, Joan was defensive and made excuses for her untimely
departure. She was unable to recognize
or acknowledge the depth of pain that her abandonment had caused. After this
confrontation, the two women drifted apart. Although the friendship did not formally end,
they eventually lost contact with each other.
There
are those who admire stingers’ autonomy and their respect
for other people’s boundaries or personal space. Stingers try not to intrude on the private
affairs of others, and expect the same from those around them. However, extreme stingers can appear to be
arrogant and insensitive to others’ needs.
These stinging qualities are often unintentional and motivated by
unconscious fears. Among acquaintances,
many stingers are sociable people whom others like to be around because of
their self-assurance and undemanding nature.
Extreme Stingers
Not surprisingly, Hollywood exploits
the character of the stinger on-screen in a plethora of movies. Actor Sir Anthony Hopkins has excelled at
portraying extreme stingers, for example, as the butler in Remains of the Day (1993).
In
Remains of the Day, James Stevens
(Anthony Hopkins), the butler, falls in love with the housekeeper, Miss Kenton
(Emma Thompson). Both are stingers, but Stevens’ reserve and fear of
intimacy is far more intense than hers. She tries everything short of
direct confrontation to encourage open communication with him. Beneath the veneer of their social position
and British reserve, it becomes evident that they really do love one
another. However, his formality,
distance, and habit of hiding behind a mask of manners and decorum, finally
drives her to leave. She marries a man
whom she loves far less but who responds to her need for a fuller relationship. Stevens and Miss Kenton never reveal to each
other their true feelings. They go on
leading separate lives while still secretly loving one another.
Holly
Golightly (Audrey Hepburn), the main character in the movie Breakfast at Tiffany’s (1961), is
another example of an extreme stinger.
She is so threatened by becoming too close with another, that she even
hesitates in creating a lasting connection with her pet. She refuses to name him and simply calls him
“Cat.”
In
order to maintain her status of a popular socialite, Holly is adept at giving
each male acquaintance the feeling that she adores him and loves spending time
with him. However, when her friendship
with Paul Varjak (George Peppard) introduces real and meaningful emotions, she
does everything in her power to avoid it.
She goes so far as to become engaged to another man. Paul confronts her and explains how she
avoids intimacy with an eloquent description of her stinger personality. Holly finally comes to realize that she cannot
live without Paul. She is able to let go
of her emotional defenses and discovers how wonderful intimacy can be. For many stingers, however, it is often too
late by the time they are ready to open up; their partner has given up and
moved on.
In
the movie, Something's Gotta Give
(2003), 63-year old Harry Sanborn (Jack Nicholson) is a playboy, womanizer,
music label executive, who learns a little lesson about love in his later
years. He has a reputation for dating
women a third his age. He takes Marin
(Amanda Peet), his latest fling, to her mother Erica's beach house, where he
suffers a heart attack and is left in the care of Erica (Dianne Keaton).
Both
Harry and Erica are stingers. Erica is a
celebrated playwright who creates romantic scripts. She has been alone for a long time and has
not kissed a man in many years. Though Erica
has not allowed herself to fall in love in a long time, she falls prey to
Harry's charm. Harry, himself, is
befuddled, as he has never let himself truly fall in love with anyone either;
he has only used women. Erica is less of
a stinger than Harry and falls in love with him completely. Harry, on the other hand, has never dated
anyone over the age of thirty; he does not grasp the idea of commitment, nor
does he want to.
There's
a charming scene where Harry and Erica are chatting online. Harry initially types on the computer,
"I miss you," but reluctantly erases the letters and types something
else more superficial. She had
anticipated that response of which he initially had, but she never gets
it.
After
having a near death experience, Harry has a different perspective on life. He re-visits all of his past
girlfriends. Many of them shut the door immediately
and will not even speak with him. He
visits Marin, who is now pregnant; she introduces him to her young
husband. Harry asks about her mother, and Marin says
that she is in Paris, celebrating her birthday.
Harry remembers plans he once made with Erica: if they still knew each
other after six months, they would go to Paris together to celebrate their
birthdays together. Harry takes off to
Paris and finds her sitting in a café.
He tells Erica about how he visited all of his ex-girlfriends and
reflected on his life.
In
the middle of their intense conversation, Julian Mercer (Keanu Reeves), a young
doctor who has been smitten with Erica, re-joins her at the table. Julian invites Harry to stay for dinner with
them, and Harry, of course, is mortified.
He has lost his true love. He
says farewell to them as they take off.
We are transported to a scene where Harry is standing on a bridge in
Paris; he is in tears, saying that he now is
“the female.” He finally
recognizes that she is the love of his life, and he has lost her.
The
story has not ended, however. Julian sees
that Erica is still in love with Harry, and he releases her. In a beautifully romantic scene, Harry and
Erica profess their love of each other. These
two stingers are transformed by the loss of each other. Unlike many unlucky singers, they are given a
second chance.
Sexual Illusions
The
bedroom is sometimes the only place where stingers shed their usual restraint. Sex can be their only means of
close communication. They pride
themselves on their prowess as lovers.
However, their contrasting inability to communicate in any other way can
be baffling and extremely frustrating for their partners. Stingers’ enthusiasm for sexual expression,
especially in the beginning of a relationship, often misleads their partners
into believing that the stinger will be readily available on an emotional level
as well. As the relationship progresses
and such stingers become alarmed by their partners’ expectations for emotional
closeness, their fear of even sexual intimacy increases until it becomes
overwhelming. To control their anxiety
as the relationship progresses, such stingers may eventually avoid sex.
Like
sexuality, dancing is another way that stingers might express intimacy. While
on the dance floor, the stinger is often able to be very close and loving,
holding the partner tight, appearing to be very receptive and open. As in the example of April and Michael in the
opening of this chapter, one can easily be deluded by a stinger’s dancing
behavior, thinking that there is a future in the relationship when there
isn’t. As in the act of lovemaking, when
stingers might be able to shout out, “I love you!,” then afterwards act as
though nothing happened, the same can occur with dancing. The stinger can be free in the moments on the
dance floor in public, yet afterwards, act as though it did not happen. The stinger is unable to acknowledge the
level of intimacy that was previously there.
More
extreme stingers cannot stay with a dance partner very long, although they can
be warm and supportive when they are dancing.
The partner of the stinger may be shocked by the sudden departure that
does not fit with the apparent intimacy of the situation. Perhaps some stingers position themselves
during sexual intercourse, such that they are able to avoid eye contact. This can be another means of avoiding
intimacy.
Although
stingers find it difficult to express affection, many do yearn for satisfying
relationships, albeit inwardly. The
problem is that as soon as a relationship progresses from flirtation and
attraction to love and intimacy, stingers change from being warm and open to
being uneasy and guarded. They may crave
the attention and affection that they receive in a relationship, but they are
afraid of giving it themselves. The
extreme stinger may depend exclusively on one friend for emotional support.
Thus, he or she is unlikely to have a viable support system in times of crisis.
Extreme stingers could be outgoing and
talkative but still be unwilling to reveal insecurities about themselves or
problems in their lives. These inner
barriers, usually the result of past traumas or problematic relationships early
in life, prevent the stinger from engaging fully in a relationship. Unconscious
fears of becoming vulnerable to emotional pain or to being controlled by another
can cause them to push away otherwise compatible partners and friends.
Commitment and Intimacy: An Inverse Relationship
Despite
their fears, most stingers feel some need for a relationship in their lives.
Being attracted to someone can be such a powerful experience for the stinger
that it leads to commitment. However,
once stingers have attained the object of their desire and taken the leap into
a committed relationship, their subconscious fears emerge. They start inventing ways of being
emotionally unavailable to their partner.
Thus, for stingers, there is an inverse relationship between commitment
and intimacy. The greater the
commitment, the less likely they are to be emotionally and even sexually
available to their partner. The phrase
“the honeymoon is over,” aptly describes stinger avoidance behavior. An intensely sexual premarital relationship
begins to wane after the marriage ceremony and honeymoon. This, of course, can apply to non-marital
relationships when the stinger moves in with his or her partner or spends
regular time with the partner.
References:
Breakfast at Tiffany's. Dir. Blake Edwards. Perf. Audrey
Hepburn. Paramount, 1961.
The Remains of the Day. Dir. James Ivory. By Ruth Prawer
Jhabvala. Perf. Anthony Hopkins, Emma Thompson, and James Fox. Columbia
Pictures Corporation, 1993.
Something's Gotta Give. Dir. Nancy Meyers. Perf. Jack
Nicholson and Dianne Keaton. Columbia Pictures Corporation, 2003.
How to cite this article: Webbink Ph.D., Patricia. - Dancing Optional: Being a Stinger, Pub. March. 2012, Retrieved from: http://www.patriciawebbink.com/Article_DancingOptional_Being_a_Stinger.html
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